A crasy project of paper cuts looking like landscapes, and camera movement looking like helicopter rides... and in full HD... and in a one sequence take please...
They said : "make it look like paper, but also as real as possible"... "yeah man!!!"
This was a job for a great friend set designer STEPHANE ROZENBAUM who won many prize for his faboulous job with MICHEL GONDRY for his set design in THE SCIENCE OF SLEEP. We worked for weeks with DOP CHRISTOPHE GRAILLOT to find the right hand made paper and the right lenses and set up... 15 hours shoot... and got it all done... but... got it all sent to the bin by the client... "just does not look right"
So great friend director and after effect artist KINO came in and saved the production... He spent 3 weeks tearing "post-it" paper on his scanner then pushed the limit of his after effect and sleep... and did it all
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